In these workshops, we will investigate different approaches to organizing paintings of the figure. For the July session, we will investigate ways of thinking about the figure in an interior space; for the September session, we will be in the landscape. We willwork from two models each day (both sessions).
Workshops include daily discussions about the ways these problems have been approached by great painters in the past, the value of working within a defined, traditional form, and the importance of combining observational painting with conceptual structures - - - what Cézanne called “creating a parallel to nature.”
These workshops represent a continuum of my teaching from many years at the School of the Art Institute of Chicago and in Portland for over twenty years.
Figure Painting in the Interior
- July 10th – 14th
- 9:00 a.m. – 5:00 p.m.
- Staver Locomotive, 2537 NW 29th
- Workshop Fee: $450 (includes model fees).
Figure Painting in the Landscape
- September 11th – 15th
- 9:00 a.m. – 5:00 p.m.
- Laurelhurst Park
- Workshop Fee: $350 (includes model fees).
For more information, registration, questions and scholarship availability, contact me at:
“Your classes have taught me to ask what is essential? What do I care about? What have I overlooked? You taught me to continue searching for the balance between the poetic and the structural. You created a safe environment in which I am free to paint, draw and face the demons of the day.”
Julie Davis, Intensive student
“In all the years I've spent as a student, I have never had a more positively influential teacher.”
Susan Nelson, PSU Student
“I am endlessly impressed with your capacity to hold all of us, as we struggle and evolve and slip ahead and back again. I don't see how you do it, but am grateful for your strength and steadiness. I thought again about the critique and how carefully and consistently you handled reticence. You stayed your course, didn't recoil, didn't try to fix people, met each person where they stood—that in itself is a great lesson to those of us present, since in the end all there is to do is witness the storms, have compassion, stay the course and keep painting.”
Sally Retecki, Intensive student
“Joseph Mann is one of those extraordinary teachers who combines a rich and deep knowledge of art history with a keen eye for teaching to the individual. He is one of the few who could be called a ‘master teacher’.”
E.W. Ross, Dean
Division of Continuing Studies and Special Programs
The School of the Art Institute of Chicago
Ox-Box Program Director
Joseph regularly invites artists to talk about their work and colleagues to teach in his workshops. Among those who have partiipcated in past workshops are:
- Dr. Jan Dworkin
- Bill Garnett
- George Johanson
- Sharri LaPierre
- Barbara Mason
- Lucinda Parker
- Eunice Parsons
- Tom Prochaska
- Dr. Bob Stuckey
- Jack Portland
- Augen Gallery
- Print Arts Northwest
- Process Work Institute
- The New York School of Painting, Drawing and Sculpture
- The School of the Art Institute of Chicago — Ox Bow